[12,61] ἀτεχνῶς γὰρ ὥσπερ νήπιοι παῖδες πατρὸς ἢ μητρὸς ἀπεσπασμένοι δεινὸν ἵμερον ἔχοντες καὶ πόθον ὀρέγουσι χεῖρας οὐ παροῦσι πολλάκις ὀνειρώττοντες, οὕτω καὶ θεοῖς ἄνθρωποι ἀγαπῶντες δικαίως διά τε εὐεργεσίαν καὶ συγγένειαν, προθυμούμενοι πάντα τρόπον συνεῖναί τε καὶ ὁμιλεῖν· ὥστε καὶ πολλοὶ τῶν βαρβάρων πενίᾳ τε καὶ ἀπορίᾳ τέχνης ὄρη θεοὺς ἐπονομάζουσι καὶ δένδρα ἀργὰ καὶ ἀσήμους λίθους, οὐδαμῇ {οὐδαμῶς} οἰκειότερα τῆς μορφῆς.

[12,61] For precisely as infant children when torn away from father or mother are filled with terrible longing and desire, and stretch out their hands to their absent parents often in their dreams, so also do men to the gods, rightly loving them for their beneficence and kinship, and being eager in every possible way to be with them and to hold converse with them. Consequently many of the barbarians, because they lack artistic means and find difficulty in employing them, name mountains gods, and unhewn trees, too, and unshapen stones, things which are by no means whatever more appropriate in shape than is the human form.

[12,62] εἰ δ´ ὑμῖν ἐπαίτιός εἰμι τοῦ σχήματος, οὐκ ἂν φθάνοιτε Ὁμήρῳ πρότερον χαλεπῶς ἔχοντες· ἐκεῖνος γὰρ οὐ μόνον μορφὴν ἐγγύτατα τῆς δημιουργίας ἐμιμήσατο, χαίτας τε ὀνομάζων τοῦ θεοῦ, ἔτι δὲ ἀνθερεῶνα εὐθὺς ἐν ἀρχῇ τῆς ποιήσεως, ὅτε φησὶν ἱκετεύειν τὴν Θέτιν ὑπὲρ τιμῆς τοῦ παιδός· πρὸς δὲ τούτοις ὁμιλίας τε καὶ βουλεύσεις καὶ δημηγορίας τοῖς θεοῖς, ἔτι δὲ ἐξ Ἴδης ἀφίξεις πρὸς οὐρανὸν καὶ Ὄλυμπον, ὕπνους τε καὶ συμπόσια καὶ μίξεις, μάλα μὲν ὑψηλῶς σύμπαντα κοσμῶν τοῖς ἔπεσιν, ὅμως δὲ ἐχόμενα θνητῆς ὁμοιότητος. καὶ δή γε καὶ ὁπότε ἐτόλμησεν Ἀγαμέμνονα προσεικάσαι τοῦ θεοῦ τοῖς κυριωτάτοις μέρεσιν εἰπών, ὄμματα καὶ κεφαλὴν ἴκελος Διὶ τερπικεραύνῳ. τὸ δέ γε τῆς ἐμῆς ἐργασίας οὐκ ἄν τις οὐδὲ μανείς τινι ἀφομοιώσειεν {οὐδὲ} θνητῷ,

[12,62] "But if you find fault with me for the human figure, you should make haste to be angry with Homer first ; for he not only represented a form most nearly like this statue of mine by mentioning the flowing locks of the god and the chin too at the very beginning of his poem, when he says that Thetis made supplication for the bestowal of honour upon her son; but in addition to these things he ascribes to the gods meetings and counsellings and harangues, then also journeyings from Ida to the heavens and Olympus, and sleep-scenes and drinking-bouts and love-embraces, clothing everything in very lofty poetical language and yet keeping close to mortal likeness. And the most striking instance of this is when he ventured to liken Agamemnon to the god in respect to the most distinctive features by saying, "His eye and lofty brow the counterpart Of Zeus, the Lord of thunder". But as to the product of my workmanship nobody, not even an insane person, would liken it to any mortal man soever,